Rebecca Aparicio is a Cuban American, New York-based, bilingual director and writer. Recent directing: Jardin Salvaje by Karen Zacarias (GALA Hispanic Theatre, Helen Hayes recommended), Beastgirl, based on the chapbook by Elizabeth Acevedo, book by C. Quintana and music by Janelle Lawrence (Kennedy Center, Helen Hayes nominated); The House on the Lagoon by Caridad Svich (Gala Hispanic Theatre, Winner Best Direction Broadway World-DC), Sarita by Maria Irene Fornes (Roundabout Theatre Refocus Series), and Siluetas, book by Erlina Ortiz and music by Robi Hager (Powerstreet Theatre Company). As a director, she’s developed new work with American Repertory Theatre, Philadelphia Theatre Company, McCarter Theatre, O’Neill Theatre Center, Playwrights Center, Powerstreet Theatre Company, Ensemble Studio Theatre, Musical Theatre Factory, The Flea Theatre, Classical Theatre of Harlem, National Black Theatre, and more. Past Fellowships include: Roundabout Theatre’s Inaugural Directing Group, MTC Jonathan Alper Directing Fellow, The COOP’s Clusterf**k Writing Cohort, and a two-time SDCF Observership Award recipient. As a writer, her work includes the award-winning musical Pedro Pan (New York Musical Festival, Musical Theatre Factory, Rhinebeck Writers Retreat, FringeNYC), Tree Tales (Prospect Theatre), Hindsight 2020 (Live & In Color), Legacy (Prospect Theatre), and The Garcia Sisters (Red Mountain Theatre. Rebecca is a CRNY artist-in-residence with the Latinx Playwrights Circle, a steering committee member of the Latinx Theatre Commons, and is a founding member of Magic Forest Theatre (dedicated to creating new musicals for young audiences). She also serves as a board member at The Flea and Rhinebeck Writers Retreat.