Christopher Vergara is a queer Latino activist, educator, and costume designer. His work focuses on culturally responsive design, storytelling, and social justice. Select credits include NYC: Franklinland (Ensemble Theatre), you don’t have to do anything (HERE Arts), Fabulation (Billie Holiday), How to Melt ICE (Boundless), Ayodele Casel: Artist at the Center (NY City Center), Unfuckwithable, The Seventeenth Chapel, A Number (Drama League), Golem of Havana, Kidnap Road (La MaMa), Texas in Paris (York). Regional: American Mariachi, Living & Breathing (Two River), twenty50 (TheatreSquared), Stir (Old Globe), American Mariachi (Alley Theatre), Anna in the Tropics, Elían, Golem of Havana (Miami New Drama), Espejos:Clean (Studio Theater), Eight Nights, Detroit ’67 (Detroit Public), Party People (Actor’s Theatre), Anna in the Tropics (Barrington), Windfall (Bay Street), Macbeth (Lewis Center), In the Heights (Orlando Shakes). Opera/Dance: Cendrillon (UMich Productions), Survivor’s Odyssey, a virtual live opera (White Snake), La traviata, Madama Butterfly (Brevard), All the Light (Vins), Harlequinade, Majisimas (Ballets Trockadero), like an eagle (DASH). TV: Six by Sondheim, Notes from the Field (HBO), and That Damn Michael Che (HBOMax). Broadway Associate credits include Here Lies Love, The Kite Runner, Once on this Island, The Color Purple, and Eclipsed. He is a member of IATSE-USA 829, Wingspace, and La Gente: Latinx Theatre Network. Follow at @cavergaradesign.